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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Phirangi, Prashant | - |
| dc.date.accessioned | 2021-06-03T02:04:56Z | - |
| dc.date.available | 2021-06-03T02:04:56Z | - |
| dc.date.issued | 2017-03 | - |
| dc.identifier.issn | 2348-6708 | - |
| dc.identifier.uri | https://vbudspace.lsdiscovery.in/xmlui/handle/123456789/206 | - |
| dc.description.abstract | When we looking into the era of 19th and 20th century from outer direction, which fulfilled the requirements of expectations. Surroundings, concept are much more personal and self expressive for an artist. By the period it started generating ideas among the artists they started thinking on the identity and uniqueness in their creation relating to aesthetic and personal vision of most individual printmakers. There was a conscious effort by many printmakers to explore and expand the visual vocabulary of printmakers the idea that could invent realities of medium. Change in attitude made artist to enrich his ideas towards presentation of works has been change in visual perspective. The base has kept in contact with the concept and more over at period of time, it has involved many numbers of techniques, not only related to the subject matter also to the medium. | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | GAUTAM BUDDHA KALYAN SANSTHAN | en_US |
| dc.relation.ispartofseries | 4;1 | - |
| dc.relation.ispartofseries | pages;241-246 | - |
| dc.subject | Attitude, creative, printmaking, medium, expressions, perspective | en_US |
| dc.title | A CREATIVE ATTITUDE IN PRINTMAKING | en_US |
| dc.title.alternative | The Voice | en_US |
| dc.type | Article | en_US |
| Appears in Collections: | Faculty / Staff / Scholars Publication | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| Prashant_The Voice_2017_protected.pdf | 1.09 MB | Adobe PDF | View/Open |
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