dc.contributor.author |
Phirangi, Prashant |
|
dc.date.accessioned |
2021-06-04T06:22:59Z |
|
dc.date.available |
2021-06-04T06:22:59Z |
|
dc.date.issued |
2018 |
|
dc.identifier.isbn |
978-81-938383-6-5 |
|
dc.identifier.uri |
https://vbudspace.lsdiscovery.in/xmlui/handle/123456789/275 |
|
dc.description.abstract |
As the necessary pressure is applied when the wood block (matrix) is
brought in contact with a paper, the inked image is transferred onto it.
Prints made with relief process, usually have bold and sharp black and
white or distinct tonal areas. However, instead of a horizontally cut wood
plank, vertical cross section cut from fine-grained wood are used for finer
details. An image made this way is called Wood Engraving. The tools
used for this are also different. Apart from the texture of the wood, relief
prints would also show the character of tools used for cutting and the
manner in which artists has used them. Each artist has a personal way of
creating the image and handling the tools. Wood engraved blocks were
used for publishing and such industrial printing until photo engraving took
over. Illustrations for storybooks, textbooks, adverts etc. were also printed
from such hand engraved wood blocks. |
en_US |
dc.language.iso |
en |
en_US |
dc.publisher |
Karnataka LalitKala-Art magazine |
en_US |
dc.relation.ispartofseries |
;109 |
|
dc.relation.ispartofseries |
Pages;44-50 |
|
dc.subject |
xylography,printmaking,traditional,method,transformation,perspective,print |
en_US |
dc.title |
Xylography:Interpretation of Wood plank |
en_US |
dc.title.alternative |
KalaVaarthe |
en_US |
dc.type |
Book chapter |
en_US |