dc.contributor.author |
Phirangi, Prashant |
|
dc.date.accessioned |
2021-06-03T02:04:56Z |
|
dc.date.available |
2021-06-03T02:04:56Z |
|
dc.date.issued |
2017-03 |
|
dc.identifier.issn |
2348-6708 |
|
dc.identifier.uri |
https://vbudspace.lsdiscovery.in/xmlui/handle/123456789/206 |
|
dc.description.abstract |
When we looking into the era of 19th and 20th century from outer direction, which
fulfilled the requirements of expectations. Surroundings, concept are much more
personal and self expressive for an artist. By the period it started generating ideas
among the artists they started thinking on the identity and uniqueness in their creation
relating to aesthetic and personal vision of most individual printmakers. There was a
conscious effort by many printmakers to explore and expand the visual vocabulary of
printmakers the idea that could invent realities of medium. Change in attitude made
artist to enrich his ideas towards presentation of works has been change in visual
perspective. The base has kept in contact with the concept and more over at period of
time, it has involved many numbers of techniques, not only related to the subject matter
also to the medium. |
en_US |
dc.language.iso |
en |
en_US |
dc.publisher |
GAUTAM BUDDHA KALYAN SANSTHAN |
en_US |
dc.relation.ispartofseries |
4;1 |
|
dc.relation.ispartofseries |
pages;241-246 |
|
dc.subject |
Attitude, creative, printmaking, medium, expressions, perspective |
en_US |
dc.title |
A CREATIVE ATTITUDE IN PRINTMAKING |
en_US |
dc.title.alternative |
The Voice |
en_US |
dc.type |
Article |
en_US |